Magic of disappearance
Zen means entirely dedicating oneself to things, so that they seem complete. In that way, the subject – the source – is bordering invisibility.
Georg Bechter is mastering that art. But in its contemporary interpretation – at the level of design. The ultimate extent of reduction is carried to extremes, where you can’t differ between space and light, where eyes can’t see – aside from brightness and surface flowing softly into each other, a warm atmosphere, a lively game, and a welcome clarity of lines.
Asking questions, thoroughly
Georg Bechter isn’t able to stop questioning things. Reconsidering what seems to be prescribed, reversing what can not be grasped. Architect and designer, two companies, two passions – this man is working on the fusion of two worlds that certainly belong together, at least since he has been concentrating on it.
Buildings arise – from that source playing with light – as well as light concepts that clear the way for architecture.
Despite clarity, the room – which is capturing the source of light in its depth – becomes soft and sensual. That’s what residents and users of a cleverly conceptualized building wish.
The creative mastermind behind beautiful design is relying on the strengths of his homeland. Hand-cast in an own production facility, in the very west of Austria, in a self-willed region called Bregenzerwald. Highest quality standards, simple handling and timeless minimalism.
Georg Bechter’s luminaires are a harmonic-fanciful product family. They are to be found in architectural buildings all over, they are winning awards and above all, they are conquering architects and building owners. The one who discovers, the one is addicted to!
