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Pucca
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About this product
Architonic ID: 1357438
SKU: 0543
Year of Launch: 2016
Frame in wood. Padding in moulded polyurethane foam. Upholstered in fabric or leather. Plastic feet.
Concept
Pouffes and footstools don’t only perform their function in one place- they’re often moved to where they’re needed at that particular time. We emphasise this movability with a decoration, an ornament; a ring that can be used as a practical handle. With his welcoming round shape, our Oppo easy chair has become a popular figure – a friend who’s easy to furnish with. From the very beginning we planned a footstool, called Puppa; this became an expressive little precursor to Oppo, as if everything began there.
Now it feels natural for us to carry on and fulfill demand, adding more footstools and pouffes to the family. Small, medium and large volumes, for one or more people, rounded and with sculpted forms that rest securely on the ground. Pucca is available in three sizes; Pucca 1 – the smallest, Pucca 2 – the medium size and Pucca 3 – the largest.
This product belongs to collection:
Specifications
Base
Closed base
Feature
Seat upholstered
Usage
Contract, Residential
Design files
10
Distributors
Designers
Stefan Borselius
Sweden
born 1974 in Malmö. Educated at the Konstfack University College of Arts, Crafts and Design. He attended Carl Malmstens school and Steneby school, and studied furniture carpentry and design. Stefan Borselius is an ingenious designer with a head bursting with ideas. He can be quiet and thoughtful, but when he speaks out he’s quite the verbal gymnast, an art he balances with being an equally inventive and an aesthetically pleasing designer. Stefan’s choice of career was inspired by his grandfather and great grandfather who were both skilled furniture carpenters. Stefan prefers to call himself a carpenter, and he believes that hands, thoughts and precision are all important tools of his occupation. Right from the function and material of an object through to the final product, Stefan wants to create furniture for our time and our way of living, our here and our now. When he works with a product, Stefan Borselius leaves nothing to chance, but goes methodically and whole- heartedly through every single detail, every function and every characteristic which a material or a technique can offer. He pushes the boundaries of what is possible to produce, and would rather give up and pursue another route than not produce anything at all. He leaves no stone unturned in his quest for a solution. As a result, his products have a strong sense of identity which already answer unasked questions in their strong expressionism.
