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Architonic ID: 20023443
Año de Lanzamiento: 2018
¿Un proyecto que combina cualidades oníricas y un sentido de la ironía hacia un mundo de fantasía? Nuestra respuesta es definitivamente Overdrive.
Sabíamos que presentar un sillón tan radical y cautivador también plantearía muchas preguntas. Nuestras respuestas son simples: queríamos un sillón que se moviera y creara una conexión emocional instantánea. Queríamos un sillón que hiciera apreciar a la gente su forma isométrica y su amplia gama de materiales. Queríamos un sillón en equilibrio entre el mundo actual y el de la imaginación. Queríamos un sillón para agregar a esa lista de "si pudiera, lo haría".
Overdrive está diseñado para provocar, así que nuestra pregunta es: ¿tiene éxito?
Concepto
Onírica y cautivadora, la butaca giratoria OVERDRIVE se caracteriza por su gran impacto escenográfico.
La forma dinámica con proporciones alargadas se inspira en el mundo del cine fantástico interpretado en clave irónica.
¿El resultado? Un objeto imprescindible, cautivador y de gran carácter en el que la armonía de combinaciones, materiales y tonos que no atienden a modas pasajeras, logra crear un estilo entre sueño y provocación.
Este producto pertenece a la colección:
Base a ras de suelo
Sillones de orejas
Asiento y respaldo tapizados, Con apoyabrazos, Con respaldo alto
Contract, Multiuso, Residencial

Italy
Giuseppe Viganò began his career in the field of interior design by working for prestigious showrooms in the Brianza area. His skills quickly led him to become an art director, taking on responsibilities such as organizing retail spaces, selecting products, designing displays, and managing staff. It was through this experience that Viganò came to understand the tastes, needs, and preferences of clients, allowing him to shape his own vision of design. In 1988, he began working independently, and in 2012, he founded Studio Viganò in Lissone, in the province of Monza-Brianza. Viganò's work spans various areas of design—not limited to furniture design alone, but also extending to concept development, communication, temporary installations, and interior design. From his early work experiences, Viganò developed a keen ability to observe and draw inspiration from his surroundings. In an interview, he stated: “Everything that strikes me is, in some way, a source of inspiration for me. Every form of art is included in this: from architecture to literature, from fashion to music. After all, isn’t design an act of poetry?” A passionate admirer of the visual arts, Viganò sees the use of new materials as an opportunity—a moment for knowledge and creative exploration. According to Viganò, a good industrial design project must be based on three principles: Affinity – the object should reflect the personality of the buyer. Functionality – the object must meet the needs of the user and be designed to provide a solution. Cost – it should be consistent with what is being offered. His style can be described as eclectic, always attentive to societal changes and focused on addressing the needs of contemporary living. From this perspective, he leads his team in seeking formal and functional responses to collective needs, creating elegant yet never conventional objects and environments. Viganò has many ongoing collaborations, both in exhibit design—often featured at the Salone del Mobile in Milan—and in product development. Notable brands he has worked with include: Poliform, Arflex, Bonacina Pierantonio, Bonaldo, Visionnaire, Arketipo, CIA International, Cogliati & Cogliati, Confalonieri, Matteo Grassi, Emmemobili, Estel, F.lli Longhi, Frighetto, Gamma International, Horus, Ivano Redaelli, Lema, Minotti, MisuraEmme, Porada, Saba Italia, Rivolta, Tappeti Artexa, Tisettanta, Turri, LiuJo Living Collection, YDF, Reflex, Twils, MEMEDESIGN, and Morelato. His Ellipses chair, designed for Bonacina Pierantonio, was nominated for the ADI INDEX 2010 selection for the prestigious Compasso d'Oro ADI Award.