Out with the old, in with the new: five ways to manufacture recycled products

It’s simple mathematics.

If you regularly take from a pot without putting anything back, sooner or later you’ll have an empty pot.

First ridiculed, then reluctantly accepted, now worn as a badge of pride; today recycling means more than separating paper from glass and secret midnight kerb drags to stop neighbours hearing that telling ‘clink’. Innovative modern manufacturing techniques give us many ways to separate materials back down to their raw forms, or even to reuse materials or entire products, without recycling them at all.

Plastic: if you can’t lose it, use it

We’re often warned how long it takes for plastic products to break down, but many still seem to snap and break easily. With no way of putting them back together, they're sentenced to 1,000 years in landfill.

Innovative manufacturing techniques, however, allow stylish products to be made from post-consumer plastic (PCR), without limits. As evidenced by Infiniti’s Freya chair, PCR plastic is strong, versatile and colourful. Freya’s own innovative method of invisibly securing its seat panel to a PCR plastic frame removes the requirement for harmful glues, and allows the chair to be broken down and fed back into the plastic production cycle once more.

Factory waste: in-house recycling

Use of PCR plastic in production requires the availability of the material, of course. And whilst there’s no shortage of plastic littering up the world, the percentage that can be separated and used is still small. Manufacturers, therefore, can improve production cycles by keeping the recycling process in-house.

By utilising their own production waste, manufacturers can save huge sums in both their carbon footprint and costs – both transportation and material. With plenty of the stuff lying around, solid-wood furniture manufacturer Oliver Conrad, for example, makes stools, coffee tables and lamps either specifically designed not to waste wood, or which use gathered off-cuts from other products that do.

Wood: it does grow on trees

Even in its virgin state, wood is a completely renewable resource. As long as it’s sourced, used and replaced responsibly, that is. But those aren’t small challenges. Thanks to the growing respect for environmentalism, solid wood is currently in high demand, but it can take a long time to grow. This popularity, combined with a throw-away culture, means irresponsibly-designed wood products aren’t really sustainable at all.

Schneiderschram’s Satsuma chair, for example, has an efficient design inspired by the simple, lightweight stability of the ubiquitous orange crate. The chair combines a solid oak frame and legs with pliable plywood seat and back, giving the right amount of flex for comfortable sitting, and weighing in at just 3.5kg.

Post-retirement: extending product life

Wherever materials are from, the less work manufacturers do to put them together, the better – for their own cost/benefit, for consumers and for a happy planet. bordbar, for example, is a brand that takes the humble but high-functioning flight attendant’s trolley, and brings it down to Earth for multiple applications.

Specifically designed to combine storage with mobility in tight spaces, the trolleys are a perfect fit for a variety of home and commercial uses including cupboards, filing cabinets or mobile beverage bars. Bespoke modifications like lighting, glass doors or interior elements make the pre-used trolleys ready to fly again.

Recycling creativity: bring old designs back to life

The success of the vintage market proves many styles never completely go out of fashion. So if manufacturers want to create designs that stand the test of time, they borrow from those with experience.

De Machinekamer trades vintage products to discerning clients looking for timeless, well-crafted goods, but demand often outstrips supply. Using the original Galvanitas S16 chair design, they re-issued the iconic, unapologetically simple, functional and solid school furniture for a new generation of consumer.

The environmental construct of use and reuse asserts the mantra ‘age before beauty’, but why not both?

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