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Architonic ID: 20024925
SKU: 4020075D0330136
Année de Lancement: 2014
Visiblement inspirée par la nature avec sa forme de feuille et son design incurvé, la chaise de salle à manger Ottawa est vraiment un meuble design unique. Une fois assis, vous découvrirez que la chaise Ottawa n'est pas seulement caractéristique par son apparence, mais aussi par son confort. Les pieds en forme de brindille d'Ottawa ajoutent à la conception organique de la chaise, complétant son look unique. Dans le même temps, le siège sculpté sans rembourrage met en valeur les lignes épurées et la forme minimale.
DIMENSIONS ET POIDS
Hauteur : 86½/45 cm
Largeur : 50 cm
Profondeur : 56 cm
Hauteur d'assise : 45 cm
Poids : 7 kg
Charge maximale : 125 kg
MATÉRIAUX:
Assise : polypropylène
Jambe : acier
SURFACE:
Pied : enduit de poudre
Ce produit appartient à la collection:
Piétement métal, Métal, Plastique, Assise plastique
Vous pouvez visiter la page produit de ces variantes : cliquez simplement dessus !

United States
Today poetic design is based on a plethora of complex criteria: human experience, social behaviors, global, economic and political issues, physical and mental interaction, form, vision, and a rigorous understanding and desire for contemporary culture. Manufacturing is based on another collective group of criteria: capital investment, market share, production ease, dissemination, growth, distribution, maintenance, service, performance, quality, ecological issues and sustainability. The combination of these factors shape our objects, inform our forms, our physical space, visual culture and our contemporary human experience. These quantitative constructs shape business, identity, brand and value. This is the business of beauty. Every business should be completely concerned with beauty - it is after all a collective human need. I believe that we could be living in an entirely different world - one that is full of real contemporary inspiring objects, spaces, places, worlds, spirits and experiences. Design has been the cultural shaper of our world from the start. We have designed systems, cities, and commodities. We have addressed the world’s problems. Now design is not about solving problems, but about a rigorous beautification of our built environments. Design is about the betterment of our lives poetically, aesthetically, experientially, sensorially, and emotionally. My real desire is to see people live in the modus of our time, to participate in the contemporary world, and to release themselves from nostalgia, antiquated traditions, old rituals, kitsch and the meaningless. We should be conscious and attune with this world in this moment. If human nature is to live in the past - to change the world is to change human nature.