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Architonic ID: 1018796
Année de Lancement: 1987
Table rectangulaire ou ronde
Base à trois pieds réglable en hauteur de 63 à 80 cm à l’aide de la
“grande vis” en bois.
BASE: massif de noyer noir Canaletto fini avec peinture transparent
à l’eau ou à base de solvant; ou massif de hêtre naturel fini
avec peinture transparent à l’eau ou à base de solvant, ou laqué
avec peinture couleur blanc ou noir à l’eau ou à base de solvant,
ou teinté à l’aniline couleur violet-turquoise-vert ou rouge-jaunejaune
bec d’oie, fini avec peinture transparent à l’eau ou à base
de solvant.
DESSUS: verre extraclair, épaisseur 12 mm, trempé, bord à fil poli
Concept
Table rectangulaire ou ronde
Base à trois piétements en hêtre naturel, noyer noir canaletto, laqué noir et blanc ou teinté à l’aniline en trois couleurs: violet-turquoise-vert, rouge-jaune-jaune bec d’oie. Finition avec peinture acrylique transparente.
Hauteur réglable de 63 à 80 cm à l’aide de la “grande vis” en bois.
Dessus de table en verre, trempé, ép. 12 mm, bord à fil brillant.
Dessus de table en verre extraclair, trempé, ép. 12 mm, bord à fil poli.
Ce produit appartient à la collection:
Piétement bois massif, Verre, Plateau de table verre, Bois

Italy
Vico Magistretti was an Italian architect, as well as furniture and industrial designer. For many years he was a leading figure of Milan Rationalism, and developed timeless solutions for technical and formal problems. Vico Magistretti – a biography Ludovico Magistretti was born on 6 October 1920 in Milan. The son of an architect, he began his own architectural studies in 1939 at the Polytechnic University of Milan. In 1943, he left Italy during his military service, moving to Switzerland, where he attended architecture courses at the university in Lausanne. It was in Switzerland that Magistretti encountered the architects Ernesto Nathan Rogers, a key moment in his intellectual and professional formation. 1945 saw Magistretti move back to Milan, where he graduated from the polytechnic. He went on to work with the architect Paolo Chessa in his father Pier Giulio’s firm. Originally involved in city planning for Milan, Magistretti migrated in the 1950s over to the industrial design of furniture and lamps, working primarily for manufacturers Artemide, Cassina, Fritz Hansen and Kartell. One of his most celebrated pieces is the Carimate chair for Cassina, which, over the years, has become a bestseller. Magistretti’s work has been exhibited internationally in many of the most important museums, from Europe and the USA to Japan. Several pieces can be found in the permanent collection of the Museum of Modern Art in New York. Vico Magistretti’s various accolades include the Grand Prix and a Gold Medal from the Triennale di Milano, two Compasso d'Oro awards and a gold medal from the Chartered Society of Industrial Artists & Designers. Magistretti taught for 20 years at the Royal College of Art in London and was recognised as a Royal Designer. He also taught at Milan’s Domus Academy and was honorary member of the Royal Scottish Incorporation of Architects. Vico Magistretti’s design work Magistretti’s designs are considered by many to enjoy a cult status when it comes to Italian design. He was without doubt a leading figure in the golden era of Italian product design, combining innovative ideas with rational functionality. His work was always thoroughly utilitarian, using the latest technologies to create timeless classics. Carimate Chair In 1959, Vico Magistretti designed the Carimate Chair for the golf club in Carimate, Lombardy. It quickly became the most popular seating choice for restaurants throughout Italy. Produced by Cassina since 1962, the piece saw the beginning of a long collaboration with the Italian manufacturer. Eclisse Table Lamp Vico Magistretti designed the Eclisse Table Lamp in 1967 for the Italian manufacturer Artemide. The light source is housed at the centre of a small, sculpture-like form. The design was awarded a Compasso d'Oro in 1967 and can be found to this day in numerous museum collections worldwide. © by Architonic