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Polder Compact
Prix estimé
7 630,00 CHF
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À propos de ce produit
Architonic ID: 1434029
SKU: 210 456 00
Année de Lancement: 2015
Designed by Hella Jongerius in a range of fabrics and carefully coordinated hues and weaves, Sofa Polder Compact adds an eye-catching note to any interior. It is available in shades of green, red, night blue and golden yellow, and also suits smaller apartments thanks to its compact dimensions.
Structural frame: wooden frame.
Seat cushions: polyurethane foam with interactive
pocket spring core, chamber cushions and polyester fleece.
Back cushions: polyurethane foam with polyester fleece and chamber cushions.
Armrest cushion: detached bolster, freely positionable, sand-weighted.
Cover: coordinated combinations of various colours and fabric types, removable.
Ottoman: wooden frame with polyurethane foam.
Range of use: recommended for residential use only.
Concept
En Hollande, un polder désigne l’étendue artificielle de terre gagnée sur la mer grâce à la mise en place de digues et de fossés de drainage. La structure du canapé Polder se révèle tout aussi basse, plate et horizontale. Pour ce canapé, Hella Jongerius a sélectionné cinq associations de couleurs et de qualités de tissu harmonisées, auxquelles elle donne du relief au moyen d’un fil haute technologie et de grands boutons en matériaux naturels.
Matériaux
Cadre en bois rembourrée par sangles, coussins du dossier: pastilles de polyuréthane et microfibres, structure et coussins de l’assise : mousse polyuréthane et ouate de polyester, accoudoir avec poids en sable, boutons en matériaux naturels.
Ce produit appartient à la collection:
Spécifications du produit
Fichiers de conception
41
Distributeurs
Créateurs
Hella Jongerius
Netherlands
Hella Jongerius’s research on colours, materials, and textures is never complete. All her questions are open-ended, and all her answers provisional, taking the form of finished and semi-finished products. These are part of a never-ending process, and the same is essentially true of all Jongeriuslab designs: they possess the power of the final stage, while also communicating that they are part of something greater, with both a past and an uncertain future. The unfinished, the provisional, the possible – they hide in the attention for imperfections, traces of the creation process, and the revealed potential of materials and techniques. Through this working method, Jongerius not only celebrates the value of the process, but also engages the viewer, the user, in her investigation.
