Condividere
Stampa
1/32
Honken 0142
Informazioni su questo prodotto
Architonic ID: 1357366
Anno di Lancio: 2015
Honken Ottoman provides a restful extension to Honken’s seating area for more in-depth reflection or for a well-deserved rest after a successful project. Can be positioned on both left and right-hand sides.
Honken Sideboard offers a surface for work and meals and can be supplemented with storage if you so desire.
Material: Steel frame, leg attachments and storage in painted steel. Legs in oiled oak. Foot cushion in polyester and down, upholstered in fabric or leather. Work surface in oiled or painted oak.
Concetto
Honken is, together with the armchairs Morris JR and Poppe, part of Experiment 2015.
Honken Workstation and Ottoman are accessories which can be combined as you desire and which can include everything you need to make Honken into the perfect workplace, such as a side table, work surface, storage, electrical outlet and an ottoman for more indepth reflection or for a well-deserved rest after a successful project. With Honken Workstation accessories, your easy chair becomes a separate small universe where you can alternately relax and work. Honken Workstation is perfect for schools, universities, libraries, hotels, offices and workplaces of all types.
Questo prodotto appartiene alla collezione:
Specifiche del prodotto
Material
Base legno massello, Cuoio, Seduta cuoio, Legno
Scarica i file
10
Distributori
Progettisti
Thomas Bernstrand
Sweden
Profile Thomas Bernstrand, Designer/Architect Konsthögskolan, University of Fine Arts, Sweden 2005-2006 Konstfack, University of Arts, Crafts and Design, Sweden 1994-1999 Denmarks Designskole, Industrial design, Copenhagen, Denmark 1996 Inchbald School of Design, London, England 1988-1989
Stefan Borselius
Sweden
born 1974 in Malmö. Educated at the Konstfack University College of Arts, Crafts and Design. He attended Carl Malmstens school and Steneby school, and studied furniture carpentry and design. Stefan Borselius is an ingenious designer with a head bursting with ideas. He can be quiet and thoughtful, but when he speaks out he’s quite the verbal gymnast, an art he balances with being an equally inventive and an aesthetically pleasing designer. Stefan’s choice of career was inspired by his grandfather and great grandfather who were both skilled furniture carpenters. Stefan prefers to call himself a carpenter, and he believes that hands, thoughts and precision are all important tools of his occupation. Right from the function and material of an object through to the final product, Stefan wants to create furniture for our time and our way of living, our here and our now. When he works with a product, Stefan Borselius leaves nothing to chance, but goes methodically and whole- heartedly through every single detail, every function and every characteristic which a material or a technique can offer. He pushes the boundaries of what is possible to produce, and would rather give up and pursue another route than not produce anything at all. He leaves no stone unturned in his quest for a solution. As a result, his products have a strong sense of identity which already answer unasked questions in their strong expressionism.
